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Mölle & Sexagenarianism
This is the view of the harbor in the old coastal village Mölle-by-the-Sea, about an hour northwest of Malmö. Turns out that 2023 is the year of two significant milestones.
Firstly, on August 15 1998, Charlotte and I were married at Brunnby Church, just a few clicks from Mölle. While I do remember fragments from the matrimonial ceremony, it was the dinner and party after the wedding that to this day fills my heart with joy and love. This is obviously highly subjective, but I have yet to experience a wedding party that’s come even remotely close to ours. There is also some sadness when I think about that evening as about a half dozen of our guests have since passed on.
The fact that Charlotte and I are already celebrating our 25th wedding anniversary (a silver jubilee, no less), is simply amazing!
The considerably harder anniversary for me to grasp is that in just a few months’ time, I’ll be 60 years old. A sexagenarian. No matter how I try to absorb this fact, the more abstract the “anniversary” becomes. I just can’t relate. Thankfully (he says with ill-concealed sadistic pleasure), I have a lot of friends that also turn 60 this year. Pain shared is pain divided, I suppose.
I wonder what it’s going to feel like when we all turn septuagenarians (70-79).
Surf Film in the Works
As long as I have some way to express my creativity during the day, I’m usually a happy camper. At my age and with the breadth of stuff I’ve worked with over the years, including writing, photography, film, and design, I have a lot of ways to satisfy this need. I find it interesting how I was able to be “away” from painting for so long. I mean, even if I often used to spend hours upon hours creating in Photoshop, Illustrator, and Indesign, none of these apps provide anywhere near the creative satisfaction I get when I’m in front of a canvas applying (or removing) paint and seeing when both planned and spontaneous ideas take physical shape.
Today, I’m working on assembling a collection of surf scenes from beaches in southern California, western Costa Rica, and Portugal’s north coast.
Cherry Tree Blooming
Yep, it’s that time of year again. Spring never arrives casually in southern Sweden. It literally breaks out from one week to the next. A kind follower from this page let me know the other day about the courtyard where she lives and how beautiful the cherry trees are right now. I went over there today and the delicate pink and white blossoms certainly create a stunning, almost surreal sight for these winter-worn eyes.
While genuinely appreciated here in Scandinavia, cherry tree blooming is a really important cultural event in Japan, where it is known as Hanami. People gather under the blooming trees to celebrate the arrival of spring, and to enjoy picnics and parties with friends and family. A few years back, Charlotte, Elle, and I celebrated Hanami in Tokyo. It was nothing short of amazing!
In addition to their obvious aesthetic and aromatic appeal, cherry blossoms have symbolic significance in Japanese culture. They are seen as a metaphor for the fleeting nature of life, as the blossoms only last for a short time before falling to the ground. Cherry blossoms also represent renewal and the beauty of new beginnings.
In the United States, the National Cherry Blossom Festival is held annually in Washington, D.C., to commemorate the gift of cherry blossom trees from Japan to the United States in 1912.
Sold: “Built to Last”
A couple of years ago, I was invited to document the factory environments at Kockums Fabriker, a slew of enormous manufacturing and assembling buildings just a few hundred meters from where we live in Malmö.
Of all the scenes I captured during my three days walking around in those abandoned industrial spaces, this, piece, which was printed on a scale of 1-to-1 and aptly titled “Built to Last”, is by far my favorite.
The other day, a couple came by the gallery and bought it.
Through their purchase, the couple obviously shares my appeal for the motif and its history, which as an artist is by far the most important form of recognition.
Televerket
Walked by this utility station the other day. Regular readers will know that I am always on the lookout for these stations, wherever I happen to be in the world. As far as I can remember, it’s the only original, old-school utility station that I’ve ever seen in over 25 years of living in Malmö. I love the design and above all, the old logo relief on top and on the manhole below.
There was no posting on it, and therefore only interesting as a relic of Televerket, the precursor of today’s Telia, Sweden’s partially state-owned telecom company. When I moved to Sweden in 1978, Televerket was a monopoly and omnipresent in society. With a fleet of bright orange vans and an army of orange-clad technicians, there was no shortage of critique and jokes about Televerket’s notoriously bad customer service which some would argue is only marginally better today. To a degree, I think the monopolistic mentality is still alive and kicking.
Here’s a little Televerket-to-Telia background (courtesy of ChatGPT):
Televerket was a Swedish telecommunications company that was in operation from 1853 to 1993. It was established as a government agency and was responsible for managing all aspects of Sweden’s telecommunications infrastructure, including telegraphs, telephones, and radio communications. In the 1980s, Televerket began to face competition from other telecom companies, and in 1993 it was restructured and transformed into the modern telecommunications company Telia. Today, Telia is one of the largest telecom companies in the Nordic region, providing a wide range of services including mobile and fixed-line telephony, broadband internet, and digital TV.
A Watchful Eye over Napoli
Everywhere I travel, I hope that when I leave, I’ll take with me a moment or a scene that in some way represents the core soul of the place. The humanity. The vibrancy or tranquility of life as it plays out there and then.
The image above of an elderly woman casually watching over her street in the Naples neighborhood Quartieri Spagnoli is just that. A friend pointed out how well-kept the front door is when compared to the rest of the building.
But look at her face. Disgruntled? Curious? Or, just tired? Maybe a combo of all 3. In any case, this street scene was what I was hoping to be lucky enough to take with me from Napoli during our visit to Italy last week.
A moment. A slice of life. A glimpse of everyday mundanity. What a privilege for me to have both seen it and to have had the wherewithal to take notice and capture it.
I’ve collected my visual impressions from our most recent trip to Italy here, here and here.
#napolistreetlife
#italy🇮🇹
#streetphotography
Clip of Re:Surfaced in Napoli
Shot this short video for the Re:surfaced art project while we were in Napoli. It’s an excellent example of a surface I fortuitously stumbled upon while walking down a busy market street somewhere near the city’s train station.
Re:Surfaced Napoli
Maybe it’s because “Naples” sounds too much like “Nipples” or, that there’s a Naples in Florida, a state I’ve visited a few times and which is currently going through some weird political stuff. In any case, I much prefer calling the southern Italian city Napoli, where the above Re:Surfaced artifact was captured.
Detox: Italian Cuisine
Home again after three wonderfully intense days in Napoli and two on the island of Ischia. After indulging in way too much pizza and pasta, I am now swollen, inflated, and in desperate need of a dietary detox.
Returning home to our giant bed, which cushy comfort no hotel bed comes even close to, is always something to look forward to. Especially after flying with no-frills Ryan Air.
Castello Aragonese Ischia
Charlotte and I are currently working on a travel story on the island of Ischia in the Bay of Napoli. The above photos depict Castello Aragonese d’Ischia, an ancient castle that was originally built some 25oo years ago. That’s a mind-bogglingly long time ago. Even for this country.
My very first visit to Italy was in 1983 during a month-long Inter Rail tour of Europe. It started with a few hours in Ventimiglia, three or four days in Rome, and before heading to Corfu on a night ferry across the Adriatic Sea (when I slept on the top deck next to four Danish gals and two guys from Canada), I spent a day in sleepy Brindisi.
It just struck me that aside from Sweden, there is no other European country I’ve visited more or as often.
So, I asked myself why and came up with a few, reasonable answers.
• How could I possibly not be in awe of a country with so many world-class artists, designers, and architects?
Napoli Morning
Here’s the view from our hotel room this morning. Charlotte and I are back in Italy for what I believe is the 8th or 9th time. We’ve were in Sorento and along the Amalfi Coast a few years ago, but this is our very first visit to Napoli.
We spent about half of yesterday exploring the city’s colorful, gritty and surprisingly hilly streets. It took only a few minutes to realize how much more alive and kicking Napoli is when compared to Florence where there seem to be only tourists and no locals.
We then took a local train to Pompeii, the fascinating, 2000 year old Roman city that was buried under ashes when Mount Vesuvius erupted, killing approximately 1150 people.
Before heading back to the hotel to rest our tired feet and legs (after 30k steps), we enjoyed an absolutely terrific dinner at a whimsical ristorante called Signora Bettola on via Medina.
ChatGPT: My Travel Addiction
I just asked ChatGPT this question: Why is traveling so enjoyable and inspiring? While not the most poetically written prose I’ve ever read, the chat bot’s response was nonetheless accurate and relevant:
Traveling is enjoyable and inspiring for many reasons, as it offers a unique opportunity to explore new places, learn about different cultures, and gain a broader perspective on life.
Here are some of the key reasons why traveling is so enjoyable and inspiring:
• Traveling offers a break from the daily routine, which can be monotonous and tiring. It offers a chance to escape the mundane and explore something new and exciting.
• It challenges us to step out of our comfort zones, try new things, and learn new skills. This can be empowering and inspiring, as it helps us grow and develop as individuals.
• A trip can generate lasting memories that we can look back on and cherish for a lifetime. Whether it’s watching a sunset over the ocean or hiking to a remote mountain peak, these experiences stay with us and shape who we are.
• Traveling allows us to learn about different cultures, customs, and ways of life. This can broaden our perspective and help us appreciate diversity and inclusivity.
• Traveling can inspire creativity by exposing us to new sights, sounds, and experiences. This can be particularly helpful for artists, writers, and musicians looking for inspiration.
• Traveling offers a sense of freedom and independence that is hard to replicate in everyday life. It allows us to choose our own path, meet new people, and explore the world on our terms.
Re:surfaced from Stockholm
Not until yesterday did it strike me that my Fuji x100v had not been emptied of the resurfaced pieces I’d captured while Elle and I was in Stockholm the other week. Here’s one of four keepers.
The Weekend: Vejbystrand & Art
It’s been an intense weekend to say the least. I spent the better part of today (Sunday) in the studio painting, sketching and thinking. We spent most of yesterday in Vejbystrand where we enjoyed spectacularly beautiful spring weather. The drone view above is from May 2021.
New Abstract Artwork: Euphoria
The other day, a woman walked into my Pop Up gallery. We spoke for about an hour about this and that and eventually touched upon the subject of my abstract art which she admitted feeling confused by. I did my best to explain my perspective and why the genre is so important on a cultural level. I’ve summed up some thoughts about this divisive art genre below.
Abstract art has had tremendous historical and cultural significance since it emerged as a major artistic movement in the early 20th century, during a time of enormous social, cultural, and intellectual change. The genesis of abstract art was closely linked to broader cultural and philosophical movements such as modernism, existentialism, and the search for new forms of expression in the wake of World War I.
Ok. But what is abstract art?
Fundamentally, non-figurative or abstract art does not necessarily attempt to represent the external reality of objects or subjects through recognizable forms, shapes, or figures. Instead, abstract art can use colors, shapes, lines, and other non-representational elements to create a unique visual language that is independent of any references based on any known “reality”.
In other words, abstract art is not concerned with depicting objects or people as they appear in the real world, but rather with creating visual experiences that exist in their own right. This type of art often emphasizes the use of color, texture, and form to convey emotions, ideas, or concepts that are not necessarily tied to anything in the physical world.
To me, one of the primary appeals of abstract art lies in its ability to evoke a range of emotional and intellectual responses from viewers. Because it does not rely on recognizable forms or subject matter, abstract art is open to interpretation and invites onlookers to engage with it on an intuitive level. This allows for a more personal and subjective experience of the artwork, as different viewers may have different reactions and associations with the same piece. So, as with the aforementioned visitor to the gallery the other day, confusion is a perfectly acceptable reaction.
New Painting: UP 2023
Here’s a new 60 x 90 cm acrylic painting titled “UP 2023”. The conceptual idea stems from how ever deep we fall into life’s many and often seemingly treacherous crevasses, the only way out is up, up, UP!
In the 1980s, I painted with tubed oil colors and occasionally even dabbled in mixing and producing homemade phosphorous night-glowing paints. There are qualities of oil paint that acrylic can’t replicate – even when using a medium to increase viscosity. On the other hand, the fact that acrylic dries so insanely fast means I get to make changes with immediate visual effects instead of having to wait for a layer of oil paint to dry. Also, after ten years of oil painting, i can no longer stand the smell of turpentine and the thinner I used to clean brushes, tools, and hands is definitely off-limits.
Resurfaced in Malmö & Painting
Before my two talks at Malmö Latin last Friday, I walked around the block and found this wonderful utility box packed with layers upon layers of posters, stickers, and whatnot.
I don’t intend to stop collecting artifacts for the Resurfaced series, but not since the late-1980s have I been as focused on painting as I am right now.
It’s physical, mental, and emotional work for sure. And obviously nowhere near as almost instantaneously gratifying as when I’m working on photography and film projects. But I so desperately needed to re-find creative satisfaction in painting and distance myself from the computer screen’s allure.
Heavy Metal in Sieng Gong
Here’s “Heavy Metal”, the short documentary I’ve composed from over 10 years of serendipitous filming in Sieng Gong, the sub-district of the Talat Noi neighborhood in Bangkok.
Washing Up
Yesterday, while cleaning up from a 4-hour painting session, I became intrigued by the cleaning process itself. So that’s what the above video is all about.
Talk at Malmö Latin
This is the beautiful venue where I had my talks this last Friday for graduating seniors at Malmö Latin, a well-known performing and visual arts high school in Malmö. The talk’s overreaching theme was creativity, passion, and the art of visual storytelling through film and photography.
It’s been a little over a year since two of the school’s teachers were horrifically murdered by a violently disturbed student. This was not something I wanted to touch on during my talks, but thoughts of the incident were not easily ignored. Especially while I was sitting in the teacher’s lounge, waiting to take the stage.
I’ve been engaged to do these talks for about a decade now and continue to enjoy each opportunity I get to inspire young people by highlighting some of the creative processes within my profession. I also stress the importance of trying different jobs in order to discover and eventually work with something they truly feel passionate about.
I summed up both of Friday’s talks with this: Friends, lead with your heart but be forgiving towards yourselves whenever you fuck up. According to an ancient Chinese legend, you’ll likely fuck up at least 10,000 times before getting really good at anything you do in life. But don’t let that discourage you!
Photo credit: Charlie Kristiansson, film teacher at Malmö Latin.