Serendipity in Kyoto

Serendipity in Kyoto

I wholeheartedly embrace serendipity (chance) when I wander through cities I really want to get to know. I intentionally get lost and let my intuition and spontaneity guide my gaze, my steps, and my camera. There’s always something – or someone – interesting along my path, waiting to be captured, portrayed, preserved. I took these photographs yesterday afternoon along Kyoto’s Kamo-gawa river (鴨川) in warm and delightful autumn weather.

Soft Serve Japanese Ice Cream

Premium Ice Cream Flavors

Soft serve – or sofuto kurīmu as it’s called here – has been a part of Japanese culture since the 1950s, when it first appeared at a Tokyo amusement park and quickly won the hearts (and taste buds) of the country.

Over the years, Japan has turned this cold treat into something close to art: smooth, creamy, and impossibly light.

It’s available just about everywhere – from busy street corners to quiet mountain shrines – in popular flavors like matcha, black sesame, yuzu, and even sweet potato.

But the one flavor that always seems to elude me is coffee. When I do find it, it’s usually by chance – at a small café or a countryside ice cream stand – and it tastes just glorious!

Done right, it’s not too sweet with just the right hint of bitterness, and that unmistakable roasted coffee bean aroma. It’s one of those fleeting Japanese treats I’ll remember long after I’ve left.

chicken rice cheese edame bowl

My Diner Lunch: Chicken Rice Cheese Edamame Bowl

Yesterday’s lunch here in Kyoto was another wonderful surprise. I found this unassuming Japanese-style diner tucked away on the top floor of a shopping mall near Kyoto Station – the kind of place you find via serendipity rather than intent.

The chicken–cheese–rice–edamame bowl I ordered cost just 1,000 yen (≈ $6/SEK60), yet it arrived within minutes, was beautifully presented, steaming hot, and full of comforting deliciousness.

The mix of tender chicken, steamed rice, melted cheese, and lightly fried edamame beans worked together in simple, satisfying harmony.

Proof once again that in Japan, even the most unpretentious lunch spot delivers a most memorable treat.

Walking to Kiyomizu dera Kyoto

View from Kiyomizu-dera (清水寺) in Kyoto

Sunday. Night. Kyoto. Rain. Long-awaited.

Our first week in Kyoto has been intense – to put it mildly. We’ve been crashing early, waking up at dawn, getting a few hours of work done, and then heading out to shoot stills and video in this surprisingly walkable city that never stops delivering new impressions and experiences.

Of all the university cities in Japan, it turns out Kyoto has by far the highest concentration of programmes in design, art and culture. You can feel it everywhere – in the architecture, the graphic design, the signage, the packaging, the way visual communication is woven into everyday life.

Yesterday, Saturday, we walked halfway up Mt Otowa – the mountain where the 1,200-year-old, UNESCO-listed temple Kiyomizu-dera (清水寺) rises above the city.

It was packed with people, but still incredibly beautiful. At one point, we stopped for a bowl of soba noodles topped with a generous slice of tofu and finely sliced spring onion. Simple, perfect, unforgettable.

During a short break on the way up we met a young American aircraft mechanic from Arkansas, currently stationed at Komatsu Air Base. He works exclusively on the Lockheed Martin F-35B Lightning II – the version that only needs a very short runway and can land vertically (STOVL).

Not surprisingly, he was genuinely excited about his new life in Japan. He told us he earns less here than back home, but still expects to save more while he’s stationed in Komatsu. I couldn’t help pointing out (maybe a bit fatherly) that when his three-year contract is over, what he will really have earned is a wealth of experiences he’d never have had if he had stayed on his home base in the States.

At our nearest 7-Eleven, two guys and a woman from Kandy in Sri Lanka work behind the counter – the same city we visited a few years ago. The three of them are at least as polite and friendly as their Japanese colleagues, but their English is noticeably better. Encounters like that make the city feel both bigger and smaller at the same time.

Later I showed Charlotte a clip from one of Bill Murray’s funniest scenes in Lost in Translation. After that I couldn’t stop saying “Lip my stockings” for hours. I sometimes latch onto things like that a bit too easily.

Caramba!

Yesterday it happened. It was inevitable. Sooner or later we both knew it would hit. We were just surprised it took this long. Fortunately, we were able to handle it with a few good solutions.

I’m talking, of course, about the jalapeño-taco-guacamole-tequila-nachos withdrawal that suddenly arrived yesterday afternoon when a same-age DJ at Good Morning Record Bar put on the Herb Alpert & The Tijuana Brass single Mexican Shuffle.

Because the Mexican place Dumas hadn’t opened yet at five, we literally crossed the alley to the Tex-Mex taquería Siesta. There we shared a plate of nachos with guacamole and five spicy tacos, washed down with two cold Asahi and a couple of shots of Patrón. The little detour was perfectly soundtracked by Pet Sounds, playing at just the right volume through the bar’s speakers.

Today, the rain poured down. It’s a bit of a shame for other visitors, but for us it was a welcome pause – time to let the past days sink in and to sort through all the impressions so far.

We’re so inspired by Kyoto that Charlotte has now registered the – surprisingly available – domain kyotodesignhotels.com, which she plans to launch in early 2026. Stay tuned.

Kyoto Imperial Palace

Kyoto Imperial Palace

Yesterday, under mostly blue skies, Charlotte and I visited Kyoto Imperial Palace – the former residence of Japan’s emperors until the capital moved to Tokyo in 1869.

The weather alone made the experience feel almost ceremonial: sharp autumn light, crisp air, and not too many other visitors sharing the neatly raked gravel paths between the great wooden gates and walls.

What struck me first was the color palette – especially the deep, organic vermillion-orange on the gates, columns, and inner walls. It’s not the typical neon orange we see on street signs or some modern temples, but a more ancient, earthy tone derived from natural pigments.

That color, I learned, was traditionally reserved for imperial or sacred structures, marking spaces associated with the Emperor and Shinto sanctity.

Depending on one’s social rank, the Emperor would receive visitors in a building that reflected their standing. Diplomats, nobles, monks, messengers, and foreign dignitaries all entered different halls — each one either more intimate or more ornate according to strict court protocol.

Walking between these vast wooden halls, I kept thinking how architecture itself once measured respect. Even today, the palace grounds still carry the quiet dignity of Kyoto’s imperial past.

Celebrating Elle Raboff on her 25th Birthday!

Celebrating Elle’s 25th birthday from Kyoto

Today, you, our dearest, wonderful Elle, turn 25!

Even though we can’t celebrate you in the family’s traditional way – with presents, champagne, and strawberries in bed – we hope you know that our love for you, today and always, builds bridges across the distance between us. Especially today on this, your twenty-fifth birthday!

That you’re turning 25 feels both unbelievable and completely natural at the same time.
You are a beautiful woman – inside and out – and we are so incredibly proud of you. Not only for who you are – wise, kind, caring, and full of empathy – but also because you continue to challenge yourself and grow intellectually and creatively. Watching your journey fills us with indescribable joy, admiration, and, of course, love.

We know you’ll celebrate – and be celebrated – with lots of laughter, love, surrounded by your dearest friends, the ones who make you feel truly good on this very special day.

So Elle, Hip, Hip – hooray!
Congratulations! ☀️

Figures of Jizo or Ojizo-san near the river in Kanazawa, Japan.

Ojizo-san figures in Kanazawa

On the far side of the bridge by our hotel here in Kanazawa, there’s a narrow side street with a beautiful wooden shrine just off the riverbank. It’s easy to miss. Fortunately, I didn’t.

Under a shallow roof closest to the street, lined up shoulder to shoulder, stand a handful of stone figures. Round faces, closed eyes, soft mouths caught somewhere between a gentle smile and a sigh.

At first glance I thought, ah, monks. The shaved heads, the robes, the calm expressions, the likeness of Buddha – it all pointed in that direction.

A bit of digging later and I learned that these figures are actually Jizō – or Ojizō-san – a bodhisattva, a kind of enlightened being.

In Japan, Jizō is the protector of children, travelers and people who’ve died far from home. Their presence by a bridge and a river makes perfect sense. When most of us think of Buddhism, we picture something more “official.” That world exists here too, of course – the Buddhism you study in books: karma, rebirth, the Four Noble Truths, all of that. But these Jizō statues live in a different, more practical layer of the same belief system.

This is everyday Buddhism – closer to folk religion than formal theology. They don’t need you to understand emptiness or quote a sutra. These figures are more like guardians, protectors or sentinels, patrons of the vulnerable. Atheism aside, I still find this stuff intriguing.

Japanese cuisine

Japanese Cuisine

From Mikado to Yamato: A 25-Year Arc of Japanese Food

My love for Japanese food didn’t start in Tokyo or Osaka – it began in Gothenburg, Sweden, some forty years ago at a small restaurant called Mikado.

I ate there so often the staff started recognizing me. I even celebrated my 25th birthday there with my closest friends. One of them, Magnus, gave me several odd-shaped canvases for me to paint on. Possibly one of the most thoughtful presents I’ve ever received.

Mikado did serve sushi, but if memory serves, the main event was the teppanyaki bar in the center of the room – culinary theatre long before “food experiences” became a thing.  The chef’s metal spatulas clinked against the hot plate under the sizzle of beef and vegetables. Garlic hit the steel and bloomed. Soy and butter caramelized the green onions and glazed the tender meat.

The measured simplicity hooked me.

Back then, Japanese food in Sweden was a little bit like a secret – you had to seek it out, and know it wasn’t “like Chinese.” Instead, it was beautifully presented: sliced and diced, balanced, colorful yet restrained. Always visually appealing.

Over the weekend, we visited Yamato Koji Park soy sauce factory, and it was across the alley that I shot this lunch tray: deep-fried squid, marlin, and cod. Hot from the oil, lightly salted – as delicious as fried fish can be, more texture than flavor, but still tasty. The crunch gave way to bounce and flake, and the soy we’d just learned about tied everything together.

Forty years later, Japanese food remains my favorite. Mikado planted the seed; alleyway lunches in Tokyo, Osaka, Hiroshima, and now Kanazawa, as well as countless bowls and plates elsewhere, kept it growing. If pressed, I’d still call Japanese food the tastiest cuisine in the world – followed closely by the Greek kitchen.


Eating Ramen Noodles in Kanazawa

Food coma. That’s what Charlotte calls it, I often seem to suffer from it here. I simply can’t resist eating more with my eyes than my stomach can handle. Everything tastes ridiculously delicious in Japan – and since most restaurants take orders via a tablet, I somehow tend to order a few extra dishes.

The highlight of our visit to the soy sauce factory the other day was, well… so-so. But lunch made up for it – squid, cod, and swordfish – followed by a surprisingly tasty dessert: soft serve with soy sauce flavor. Yeah, I agree, it certainly sounds questionable. But it was actually delicious in that odd, umami-meets-ice-cream kind of way.

Yesterday afternoon, we took a long walk along the Saigawa River (犀川), which winds through the city, from the mountains down to the Sea of Japan. We ended our Saturday evening with dinner once again at “8” – the ramen joint next to our hotel, where Japanese salarymen slurp noodles loudly and hungry tourists apparently and inevitably drift into food comas…

KANAZAWA

Kanazawa

Thursday Thoughts in Kanazawa

When the hotel toilet senses that I’m approaching, a soft blue light glows from the bowl, followed by a gentle pre-rinse. Like a prelude – or foreplay. When I’m done, it flushes automatically.

The other day, while sitting on the heated toilet seat made by the Japanese brand Toto, the song “You Are the Flower” started playing on my phone. Coincidence or cosmic comedy?

There’s a calm in Kanazawa – a port city about the size of Gothenburg – unlike anything I’ve experienced elsewhere in Japan. Except perhaps in Hiroshima, where the stillness weighed a bit too heavily, especially around the ruin that remains after Enola Gay dropped Little Boy over the city.

Can’t help but think of Gojira movies every time I hear fire trucks or ambulances here.

Sometimes we just don’t have the energy to eat out, especially after a long day when the step counter shows we’ve walked 25,000 steps. Then we opt for a hotel room picnic.

I calculated that Charlotte and I have eaten at least 9,000 meals together since we met in 1996.

With a bag full of sushi trays, containers with veggie sticks, and a couple of Asahis we’ve picked up from Family Mart, 7-Eleven, or Lawson, we’re set for dinner on one of the room’s little bedside tables. It works – and it’s actually quite cozy.

Dining at a simple izakaya along our street usually runs just over 10 USD per person. Our picnics cost about half that.

Yesterday before dinner, I filled the small bathtub and fell asleep to a gloomy prophecy about the AI bubble soon bursting – and the looming risk that the world will then plunge into a bottomless economic crisis. Oh well.

I think the 21st Century Museum of Contemporary Art in Kanazawa is world-class. There was breadth, depth, and height in every exhibition I saw yesterday.

I had a hot dog for lunch yesterday at an obscure sausage stand tucked inside a little red wooden house in the samurai district. Perhaps a blasphemous act of unforgivable proportions – but I couldn’t resist. It is your destiny, Luke.

There’s a distinction between being liked and being tolerated. But even at sixty-two, I sometimes struggle to tell the difference.

Some Japanese people I meet can barely contain their enthusiasm when interacting with me. Others don’t see me at all. To them, I feel kind of invisible.

A truly fascinating social aspect of traveling in Japan is how you make an extra effort to match the level of politeness and respect that Japanese people display – regardless of what they might actually think or feel about us gaijin (外国人). It sort of brings out my best game. I like that.

I’ve said it before, but it bears repeating: the social climate in Japan reminds me of how it was in the US as a kid and how it used to be in Sweden when I moved there in the 1970s.

At the large tourist information office in the Katamachi area, along Chome Street, the staff are incredibly friendly. Those I’ve spoken with speak almost fluent English.

I can’t fathom how the politicians in Malmö can be so clueless that they fail to see the value of having a proper tourist office in Sweden’s third-largest city. Embarrassing.

I love how almost nothing is left to chance here. Everything has its place – has been designed or crafted to clarify or at least make things less ugly.

We’re staying a few doors down from St. Louise Jigger’s Bar, where time stands still. The place would have been a bit too stiff for Bukowski, but Hitchens would probably have had a hard time tearing himself away from one of the creaky barstools.

Next to St. Louise Jigger’s Bar is a gentlemen’s club with an entrance one floor down, where the doorman standing on the street looks like a character from Tony Scott’s excellent film noir Black Rain with Michael Douglas and Andy Garcia.

We have a few days left in Kanazawa before the autumn tour through the Land of the Rising Sun heads south.

If you’ve read this far, I want to thank you for trudging through my scattered thoughts and more or less interesting observations.

I’m emptying myself of impressions – to make room for new ones. Tomorrow we’re visiting a soy sauce factory.

St-Louis Jigger Bar Kanazwa

St Louis Jigger Bar Kanazawa

There’s a rhythm to Kanazawa that I could get used to.

Yesterday started with a 5K run along the Sai River in cool autumn air and a little rain. I passed a few fellow runners, a couple of cyclists, and two or three elderly people walking their dogs. Most smiled. Some waved.

Then we basically spent the whole day on foot. We walked across town to the geisha districts and drifted through two of the three historical teahouse neighborhoods. Narrow lanes, old wooden facades, little shops selling gold leaf sweets and matcha in various forms. I went for a coffee-flavored soft serve in a charcoal-black cone.

By late afternoon we’d looped all the way back on foot, legs a bit wrecked, and ended up near our hotel on the edge of the Katamachi entertainment district at Saint Louis / Jigger Bar. It’s one of those classic Japanese cocktail bars where the lighting is low, bottles are displayed like sculpture, and the bartenders are dressed in crisp black-and-white.

After a cold Suntory Premium draft beer each, we stepped back out into the street and into a steamy little ramen shop — the kind with fogged-up windows, a few booths, and counter seats that turn over fast.

Huge bowl, deep broth, noodles with that perfect chew, toppings piled so high you almost have to earn your way down to the soup. No polish, no posing. Just happiness you eat with a spoon and loud chopsticks.

Photo of me: Charlotte Raboff

Sunday in Kanazawa

Without Bourdain in Kanazawa

It’s Sunday in Kanazawa.

Dipping those green, crispy squid pieces into the bowl of creamy wasabi mayo during last night’s dinner felt almost sinful. It was as if the Shinto gods Izanagi and Izanami had conspired to create this irresistible recipe, best washed down with a pint of cold Asahi. Okay, two pints.

I love food, and I’ll clearly travel as far as it takes just to relive wonderful culinary memories. At the same time, I also want to challenge myself and add a few new experiences along the way.

At this age, meals aren’t just one of the highlights of the day – they’re also what make the increasingly taxing long-haul trips worth the pain. “If you want the good things in life, you have to put up with a little hardship,” I can hear my grandmother Agnes saying.

All the food here in Japan is genuinely delicious. Even the sushi in the convenience stores like Lawson, Family Mart, and 7-Eleven tastes surprisingly good.

Sure, fast food culture exists in Japan. The difference is that what’s offered here – at least in local places as opposed to the big American fast-food chains – is mostly reasonably healthy food where portions match the calorie needs of what a normal human being realistically requires for nourishment and sustenance.

No, I don’t think Ozempic is going to be a hit in Japan.

Yesterday morning, before we got on the Shinkansen from Osaka, I bought a beautiful little bento box at the station. It was filled with raw fish, smoked eel, warm rice, and pickled vegetables, and cost about $3 / SEK 30 (500 yen).

Eating that tangy, crunchy lunch while the Japanese countryside flickered past at a little over 300 km/h (around 185 mph) was both a visual and culinary reminder of how incredibly lucky we are – not just to experience so many interesting things, but also to get so many opportunities to enjoy such scrumptious meals.

Yes, we’ve very deliberately steered our lives and our small company so we can work creatively with the things we love: traveling, experiencing other cultures, and – hopefully – inspiring the people who take part in what we share through our websites and social media channels.

It has never been cheaper to experience Japan than it is right now. The difference from my first visit in 2005 is enormous. And while I feel for the Japanese economy, as a tourist it’s nothing short of a godsend to enjoy this awe-inspiring culture without breaking the bank.

We literally pinch ourselves every time the bill arrives from the always polite restaurant staff.

And tipping isn’t accepted here. Why? Because restaurant owners actually pay their employees a wage they can live on. What a concept.

Last night we spoke with a young German couple, and I told them that it costs less to eat a great meal at a restaurant here in Japan than it does to buy food at the low-cost German supermarket chain Lidl in Malmö.

They laughed in recognition, and we all just shook our heads at the contrast in our upside-down world.

But why are we in Kanazawa?

Because when the tireless wanderer Anthony Bourdain came here with his friend, the Japanese master sushi chef Masayoshi “Masa” Takayama, he loved the low-key atmosphere – not to mention the almost unbelievable density of fish and seafood restaurants.

When I saw that episode, I knew I had to come here – to eat, to photograph, and eventually to write about my experiences.

Bourdain’s footsteps are, of course, way too big for me to step into. But I still like to think that if we had, by chance, run into each other in some grimy little bar down a dimly lit alley here in Kanazawa, we could’ve slipped into a “Suntory time” moment.

We would’ve had a few glasses of Japanese whisky (or bourbon – the same Japanese company also owns both Maker’s Mark and Jim Beam) and talked about travel, about how hard it is to actually live in the moment, about the bottomless love we have for our daughters, about the aches that come with getting older, and about the endless search for something that feels like lasting happiness.

We might have swapped Instagram handles, probably never seen each other again – but neither of us would have forgotten the moment two restless souls met in a dive bar in Kanazawa.

Japanese Breakfast

Breakfast Art in Japan

This is my everyday breakfast at the Umedaholic Hotel here in Osaka. Like so much else in Japan, there’s an almost meditative thoughtfulness in how everything is put together: the colors are in balance, the portions are generous but never heavy, and the details make the whole tray feel right even before I’ve taken the first bite.

I’ve been drawn to Japanese aesthetics since my very first visit in 2005, and I love how little is left to chance. Even a simple hotel breakfast reflects a philosophy I see in almost all Japanese food: an aspiration for some form of culinary – yes, almost spiritual – equilibrium.

Food is perhaps the clearest “bridge.” Yōshoku – Western dishes adapted for Japanese tastes – transformed from the American vulgarly oversized into visually balanced, finely tuned portions. The reference is Western; the calibration is Japanese.

Another clear example is graphic design you see in the public space. where Helvetica lives comfortably alongside hiragana and katakana, icons you can read in a snap, and color used to reinforce clarity.

Western efficiency and Japanese empathy with a common goal: to make things work, and a firm conviction that they should both look beautiful and feel/taste exactly right.

Joakim Lloyd Raboff-enjoying sushi in Osaka, Japan

Back in Japan

Charlotte captured this during last night’s delicious dinner here in Umeda, Osaka, Japan. We ate at the same place I’d frequented several times during my visit in January. Osaka was chilly then, but now it’s perfect weather, around 18–23 °C. Like a nice Swedish summer.

After a month of photography in Bangkok’s relentless heat and humidity, it’s bliss to work in cool air for a while – like going from sauna to sea, so to speak.

While here in Osaka, we’ll focus on Umeda, Dōtonbori, the cozy, artsy alleys of Nakazakichō I checked out earlier this year, and Nakatsu, which Time Out just crowned one of the world’s coolest neighborhoods.

Lucky us: the yen has slipped another ~10% since the start of the year. The Swedish krona is practically grinning like the U.S. dollar over here – weird and wonderful in equal measure.

Our first visit to the “Land of the Rising Sun” was 15 years ago, when we were on assignment for two Swedish travel magazines (Aftonbladet Resa and Allt om Resor). We ended up with five or six features covering everything from food and love hotels to Roppongi’s nightlife and the trendy streets of Harajuku.

Elle was with us back then and was just as enthusiastic as we were, and everything the Japanese cuisine offered – delicious and varied – was devoured with a smile.

On the Thai Airways flight over, we shared a row with a friendly Japanese man our age who spoke fluent English after many years working in L.A. He looked a bit like Mr. Miyagi – wax on, wax off – and he even had a black belt in karate.

Fifth visit to Japan, and I’m still pleasantly surprised every time I rediscover the heated toilet seat – a true milestone of civilization if ever there was one.

Here in Umeda, our hotel room’s floor area is about a third of what we had during a month in Bangkok. On the other hand, it’s fitted with super-smart, high-quality solutions – perfect for compact living – so we don’t really miss anything except a bit of floor space and maybe a couple of extra hooks.

This trip will take us to four new cities (for us), which should result in several inspiring stories and at least one book filled with highlights from our Japanese adventures.

Stay tuned…

Japan Inspired t-shirts

Japan Inspired t-shirts

I can’t fully explain why Japan has held my interest since my first visit more than 15 years ago. Maybe it’s because the land of the rising sun feels like an assemblage of everything that inspires me about Asia – the food, the orderly rhythm of daily life, the respect and politeness, and those sudden bursts of intense colors and cacophony of sounds.

Japanese design speaks to me. It’s often minimal, but not always; it can also be playfully naïve in a way that, at least to me, feels both approachable and empathetic.

Out of that fascination and curiosity, I began sketching a series of playful Japanese motifs for T-shirts – a garment I still wear almost daily and can now use as a ready-made canvas. I’ve created about ten designs so far.

A few weeks ago, a Thai photographer friend in Bangkok pointed me to a small print shop that does direct-to-garment digital printing. Their prices are fair, the cotton is decent, and the turnaround is quick – perfect for testing a short run and refining the line as I go.

A Popcorn Cart salesman on Sukhumvit Road in Bangkok, Thailand.

Popcorn Man

This man, maybe my age, maybe older, pushing a cart stacked with popcorn, was my only shot that entire day.

A livelihood on wheels.

As a popcorn buff, how could I not photograph this?

I love walking around Bangkok and letting serendipity hand me scenes worthy of an exposure or two. This city doesn’t curate itself or hand out ready-made Insta posts or viral TikToks. It offers relentless, gritty authenticity alongside sugar-coated promises and lofty dreams that swell and sweeten as the day wears into night.

I regret not buying a bag of the man’s popcorn.

Charlotte Raboff

Charlotte

I shot this the other day in the heart of Chinatown. The light was irresistible and I knew beforehand that if I didn’t take the shot, I would regret it.

I waited a beat, watched the afternoon sun shine across the old storefronts, and pressed the shutter.

I met Charlotte in October of 1996, almost 30 years ago to the day.

At the time, I had pretty much given up that I would ever meet someone whose life lined up with mine where it counts: an insatiable hunger for travel, a shared love of Asia, and a need to redefine myself.

Someone who would put up with me.

Between departure gates and late-night drafts, we folded work into life and life into work until the border was blurred.

We lived to travel and traveled to feel alive.

What began as a series of “what ifs” eventually became our company’s direction. And when daughter Elle Agnes was born almost twenty-five years ago, she joined us wherever we went.

Charlotte and I built our little company from scratch. We embraced the nascent Internet and took advantage of all its burgeoning potential to allow us to work with almost anything, anywhere.

Call it entrepreneurship if you must; to us, it was more genuine curiosity and an addiction to challenging conventions and not allowing perceived limitations to hinder us.

We failed, learned, moved on, and enjoyed success here and there. Always looking forward. Always enjoying the journey. Never looking too far back.

If luck is about identifying opportunity, creativity is about finding a way to express it. It can certainly be both a blessing and a curse.

It’s a constant tug of war. A hunger that can never be fully satisfied. There’s always a new frame to compose, a scene to document, and a beautiful woman like Charlotte to capture.

The White Lotus Season 3

The White Lotus

Met a real-life leading lady at Siam Paragon the other day: Patravadi Mejudhon (aka Lek Patravadi) – the actress who so eloquently played Sritala, the resort owner in The White Lotus Season 3.

Ms Patravadi was graceful, gracious, and every bit as charming off-screen as she is on.

Bonus memory: during Siam Paragon’s inaugural week in December 2005, I was invited through a PR agency to be among the first to scuba dive in the mall’s giant aquarium Sea Life.

Yes, it was definitely surreal to dive with nurse sharks and other sea creatures while hundreds of young and old visitors to the aquarium checked me out from the other side of the thick glass. It was my first and only indoor scuba experience.
Photo credit: Charlotte Raboff

Photographic challenge

Photographic Challeng

Yesterday afternoon I set myself a one-hour challenge: get truly uncomfortable and make at least six street frames of everyday life I’d normally avoid; get close, don’t ask, shoot from the hip. Posed or unposed didn’t matter. Last but definitely not least: leave the phone in my pocket.

Bangkok was my first love in Asia. Because it was first, it became the benchmark; everything since is measured against it.

As I write this, I see how much the city and I share: contradictory, high-contrast, chaotic with pockets of calm; extroverted yet private; exhausting and endlessly enthusiastic, superficial,, melancholy, restless, and always on the lookout for soul and grit.

All images shot on my old trusty x100v at ISO 640 (no recipe).

An old woman watching TV along Charoen Krung Road in Bangkok

Bangkok: Everyday Life

Everyday life on the east bank of the Chao Phraya – along Charoen Krung, through Talat Noi, past Song Wat and Chinatown – has held me in its spell for more than a decade.

In the warm climate of Southeast Asia, much of life flows outdoors. People rise with the coolness of dawn and gather again in the late afternoon and evening, when the sun settles and the heat dissipates.

Homes and family businesses blur at the threshold, sharing the same space, the same light, the same breath.

I couldn’t say what this elderly woman and her family sell. But the composition of the room – and the way it was lit – was too compelling not to capture.

Once photography had seduced me – the medium and the tools I use to make images – it changed my life forever. A pact formed between my mind and the camera, and it began to live a life of its own.

My eyes became stereoscopic viewfinders; I am constantly composing, always hunting for angles, perspectives, shapes, colours and contrasts.

It’s an involuntary, subconscious, almost autonomous response that fills every waking moment my eyes are open.

Not always, but mostly, it doesn’t feel like a choice when I take out my camera to catch something that for whatever reason intrigued me.

It’s part muscle memory – and the recurring need to verify (often many hours later, when reviewing what I shot) that the composition I saw with my eyes and in my mind was what I ended up getting.