Naoshima Island

A Day on Naoshima Island

This is from yesterday’s visit to Naoshima, which felt like stepping into a slow, sunlit island dream. We had booked a museum showing works by Monet and James Turrell, the American light-and-space artist whose installations somehow make you feel both grounded and weightless at the same time. But most of the day was spent biking and hiking along Naoshima’s winding coastal roads and sandy beach paths, stopping every now and then to take in the island’s spectacular sites and lush, varied flora. Every road bend revealed something new – palms, pines, wildflowers, and colorful shrubs shaped by wind and sea. The whole place had a laid-back vibe that reminded us a little of Okinawa and stretches along the California coast.

We found an unremarkable little seaside café that served a most terrific Japanese lunch before eventually catching the short ferry back to Tamano, the quiet port town where our hotel is on the mainland.

It was for sure a most spectacular day on one of Japan’s most inspiring islands. Heading back there again tomorrow.


Kyoto: Otagi Nenbutsu-ji Temple (愛宕念仏寺)

This is the short film I put together from our visit to Otagi Nenbutsu-ji Temple (愛宕念仏寺) the other day in the hills of Arashiyama, where I found myself surrounded by one of Kyoto’s most unusual sights – 1,200 hand-carved rakan statues, each with its own quirky, expressive face.

The statues were created in the 1980s by amateur carvers under the guidance of priest-sculptor Kocho Nishimura, as a way to restore life and spirit to a temple originally founded in the 8th century.

Filming there was a creative challenge. The place was packed with visitors, and finding angles that captured the statues’ charm without revealing the crowds required patience, timing and plenty of improvisation. Still, the atmosphere – equal parts playful, serene, and faintly eerie – made every shot worth the effort.

Otagi Nenbutsu-ji Temple is just one of many Kyoto experiences that stay with you long after you leave. The film clips were all shot handheld using my trusty old iPhone 14 Pro Max

Kyoto life

Kyoto Living

Last night we ate two beautiful bowls filled with juicy udon noodles in miso, topped with tempura shrimp and fried tofu. Absolutely delicious. We found this at a tiny little place Charlotte knew about, right next to the geisha district of Gion here in Kyoto.

We eat dinner out roughly every other evening. On the main road just a couple of blocks from the hotel, there’s a well-stocked grocery store called Fresco.

On the evenings when we eat at the hotel, that’s where we buy our dinners.

Tonight we were so tired after all the walking, shooting, and filming at the temple Otago Nenbutsu-ji – and still pretty full after a hefty lunch in Arashiyama – that we grabbed a couple of onigiri – triangles of rice with tuna and mayo wrapped in nori (おにぎり) – two packs of shredded cabbage salad, and a couple of cold Kirins.

Why didn’t we eat at one of Kyoto’s fantastic little izakaya joints that are literally everywhere?

The thing is, even though it’s cheap to eat at regular neighborhood restaurants here, it still adds up over seven weeks in Japan – far beyond what we budgeted for meals.

Besides, it’s actually pretty fun to shop for dinner at Fresco, especially because the selection of tasty and inexpensive ready-made food is so enormous.

I think the woman at the checkout in “our” Fresco recognizes me now. The last few times she’s offered a small smile when she drops the chopsticks and a wet wipe into my bag.

The hotel we’ve been staying at for a week has a large breakfast room that, once the buffet is cleared away at 9:30, stands completely empty. That’s where we eat dinner undisturbed, with a bit of jazz playing in the background.

Jazz is commonly used in stores and restaurants as ambient music – a huge relief not to have to listen to any auto-tune crap. So thoughtful.

There still isn’t a single day when Charlotte and I don’t say to each other how ridiculously good we have it here. We’re already thinking about our next trip back.

I wonder if other visitors also reflect on how lucky they are to experience everything Japan has to offer.

I can’t remember the last time I photographed, filmed, and wrote this much during a single trip to Japan.

Charlotte and I are both childishly enthusiastic and we can barely wake up before wanting to head out to discover, explore, and keep getting inspired. Japan is so addictive.

For me, the most important thing at this stage of life is to keep working on getting better at what I love: being creative and expressing that in different ways. And traveling, of course.

The Roman emperor and Stoic philosopher Marcus Aurelius (the one Seinfeld quoted in a clip I saw on Instagram) often spoke about three simple principles: ignoring what others think, focusing on your own improvement, and working with virtue and discipline.

The Japanese seem to have taken this to heart – both in how they work and in how they interact with the world. What they do, they do simply (minimalistically), they do it with focus, and they do it properly. A life philosophy that seems to permeate so much here.


Kyoto: Heron on the River

I love herons. I’ve seen plenty of them along the Katsura-gawa (桂川) river in Kyoto. I think the last time I captured one was along a deserted beach on an island in the Maldives. They are special birds.

Kyoto eating

Motomachi Doria – Japanese Comfort Food

Unsurprisingly, Charlotte and I have already developed an addiction toward a few particular eateries here in Kyoto. One of them is Motomachi Doria –  the Japanese interpretation of an American diner where they serve delicious comfort food.

At its core, my favorite “Doria” consists of a bed of rice, rich cream sauce, tender chicken, then cheese melted until it forms that irresistible, slightly caramelized top layer.

Each time we return, Charlotte and I exchange the same look: “Should we really order it again?” And then, inevitably, we do. It’s warm, it’s simple, it’s satisfying without being heavy.

Our Hotel Room View in Kyoto

Room with a View in Kyoto

Unless you’ve got the means to stay in a five-star hotel in Japan, you’ll likely not get a much better view than the one we have from our hotel here in Kyoto.

Our room is tiny – probably just over 20 square meters (about 215 square feet) – and the only window we can actually open is narrow enough to make a Tokyo subway car at rush hour feel spacious.

The hotel’s windows have this visually annoying wire frame baked in, and it won’t open more than the width of my hand – just barely enough to squeeze it through with my small Lumix camera (turned off, of course).

Once my hand and camera are through and literally outside, I can switch the camera on, let the lens extend, and grab a few shots – like these two captured early this morning around 6:00 a.m., right after my early-morning wee-wee moment.

It’s not exactly the kind of panoramic view I used to produce for travel magazines and glossy brochures, but there’s still something quietly satisfying about this everyday sunrise view.

A sliver of Kyoto sky, the soft hum of the city below, and the faint aroma of brewing coffee drifting up from the hotel’s busy breakfast room.

You take what you can get – and sometimes, in Japan, even the narrowest window can provide an interesting view.

A grey heron along the Kamo Gawa River in Kyoto

Heron along Kyoto’s Kamo-Gawa River

Captured this grey heron along the Camo-Gawa River yesterday evening at the tail-end of “blue hour”.
The light here feels almost otherworldly. The November sun sits way lower and casts a much softer, warmer light than it ever does this time of year back home in Malmö, Sweden. And with Kyoto getting roughly four extra hours of daylight in November, days are so much longer. It’s an ideal combo for a photographer in a city that, even after my third week here, continues to inspire.

The low sun enhances everything – the narrow backstreets, the blend of old and new, the textures of manmade and organic materials. I don’t think I’ve ever seen autumn rendered so beautifully anywhere. else.

Serendipity in Kyoto

Serendipity in Kyoto

I wholeheartedly embrace serendipity (chance) when I wander through cities I really want to get to know. I intentionally get lost and let my intuition and spontaneity guide my gaze, my steps, and my camera. There’s always something – or someone – interesting along my path, waiting to be captured, portrayed, preserved. I took these photographs yesterday afternoon along Kyoto’s Kamo-gawa river (鴨川) in warm and delightful autumn weather.

Soft Serve Japanese Ice Cream

Premium Ice Cream Flavors

Soft serve – or sofuto kurīmu as it’s called here – has been a part of Japanese culture since the 1950s, when it first appeared at a Tokyo amusement park and quickly won the hearts (and taste buds) of the country.

Over the years, Japan has turned this cold treat into something close to art: smooth, creamy, and impossibly light.

It’s available just about everywhere – from busy street corners to quiet mountain shrines – in popular flavors like matcha, black sesame, yuzu, and even sweet potato.

But the one flavor that always seems to elude me is coffee. When I do find it, it’s usually by chance – at a small café or a countryside ice cream stand – and it tastes just glorious!

Done right, it’s not too sweet with just the right hint of bitterness, and that unmistakable roasted coffee bean aroma. It’s one of those fleeting Japanese treats I’ll remember long after I’ve left.

chicken rice cheese edame bowl

My Diner Lunch: Chicken Rice Cheese Edamame Bowl

Yesterday’s lunch here in Kyoto was another wonderful surprise. I found this unassuming Japanese-style diner tucked away on the top floor of a shopping mall near Kyoto Station – the kind of place you find via serendipity rather than intent.

The chicken–cheese–rice–edamame bowl I ordered cost just 1,000 yen (≈ $6/SEK60), yet it arrived within minutes, was beautifully presented, steaming hot, and full of comforting deliciousness.

The mix of tender chicken, steamed rice, melted cheese, and lightly fried edamame beans worked together in simple, satisfying harmony.

Proof once again that in Japan, even the most unpretentious lunch spot delivers a most memorable treat.

Walking to Kiyomizu dera Kyoto

View from Kiyomizu-dera (清水寺) in Kyoto

Sunday. Night. Kyoto. Rain. Long-awaited.

Our first week in Kyoto has been intense – to put it mildly. We’ve been crashing early, waking up at dawn, getting a few hours of work done, and then heading out to shoot stills and video in this surprisingly walkable city that never stops delivering new impressions and experiences.

Of all the university cities in Japan, it turns out Kyoto has by far the highest concentration of programmes in design, art and culture. You can feel it everywhere – in the architecture, the graphic design, the signage, the packaging, the way visual communication is woven into everyday life.

Yesterday, Saturday, we walked halfway up Mt Otowa – the mountain where the 1,200-year-old, UNESCO-listed temple Kiyomizu-dera (清水寺) rises above the city.

It was packed with people, but still incredibly beautiful. At one point, we stopped for a bowl of soba noodles topped with a generous slice of tofu and finely sliced spring onion. Simple, perfect, unforgettable.

During a short break on the way up we met a young American aircraft mechanic from Arkansas, currently stationed at Komatsu Air Base. He works exclusively on the Lockheed Martin F-35B Lightning II – the version that only needs a very short runway and can land vertically (STOVL).

Not surprisingly, he was genuinely excited about his new life in Japan. He told us he earns less here than back home, but still expects to save more while he’s stationed in Komatsu. I couldn’t help pointing out (maybe a bit fatherly) that when his three-year contract is over, what he will really have earned is a wealth of experiences he’d never have had if he had stayed on his home base in the States.

At our nearest 7-Eleven, two guys and a woman from Kandy in Sri Lanka work behind the counter – the same city we visited a few years ago. The three of them are at least as polite and friendly as their Japanese colleagues, but their English is noticeably better. Encounters like that make the city feel both bigger and smaller at the same time.

Later I showed Charlotte a clip from one of Bill Murray’s funniest scenes in Lost in Translation. After that I couldn’t stop saying “Lip my stockings” for hours. I sometimes latch onto things like that a bit too easily.

Caramba!

Yesterday it happened. It was inevitable. Sooner or later we both knew it would hit. We were just surprised it took this long. Fortunately, we were able to handle it with a few good solutions.

I’m talking, of course, about the jalapeño-taco-guacamole-tequila-nachos withdrawal that suddenly arrived yesterday afternoon when a same-age DJ at Good Morning Record Bar put on the Herb Alpert & The Tijuana Brass single Mexican Shuffle.

Because the Mexican place Dumas hadn’t opened yet at five, we literally crossed the alley to the Tex-Mex taquería Siesta. There we shared a plate of nachos with guacamole and five spicy tacos, washed down with two cold Asahi and a couple of shots of Patrón. The little detour was perfectly soundtracked by Pet Sounds, playing at just the right volume through the bar’s speakers.

Today, the rain poured down. It’s a bit of a shame for other visitors, but for us it was a welcome pause – time to let the past days sink in and to sort through all the impressions so far.

We’re so inspired by Kyoto that Charlotte has now registered the – surprisingly available – domain kyotodesignhotels.com, which she plans to launch in early 2026. Stay tuned.

Kyoto Imperial Palace

Kyoto Imperial Palace

Yesterday, under mostly blue skies, Charlotte and I visited Kyoto Imperial Palace – the former residence of Japan’s emperors until the capital moved to Tokyo in 1869.

The weather alone made the experience feel almost ceremonial: sharp autumn light, crisp air, and not too many other visitors sharing the neatly raked gravel paths between the great wooden gates and walls.

What struck me first was the color palette – especially the deep, organic vermillion-orange on the gates, columns, and inner walls. It’s not the typical neon orange we see on street signs or some modern temples, but a more ancient, earthy tone derived from natural pigments.

That color, I learned, was traditionally reserved for imperial or sacred structures, marking spaces associated with the Emperor and Shinto sanctity.

Depending on one’s social rank, the Emperor would receive visitors in a building that reflected their standing. Diplomats, nobles, monks, messengers, and foreign dignitaries all entered different halls — each one either more intimate or more ornate according to strict court protocol.

Walking between these vast wooden halls, I kept thinking how architecture itself once measured respect. Even today, the palace grounds still carry the quiet dignity of Kyoto’s imperial past.

Celebrating Elle Raboff on her 25th Birthday!

Celebrating Elle’s 25th birthday from Kyoto

Today, you, our dearest, wonderful Elle, turn 25!

Even though we can’t celebrate you in the family’s traditional way – with presents, champagne, and strawberries in bed – we hope you know that our love for you, today and always, builds bridges across the distance between us. Especially today on this, your twenty-fifth birthday!

That you’re turning 25 feels both unbelievable and completely natural at the same time.
You are a beautiful woman – inside and out – and we are so incredibly proud of you. Not only for who you are – wise, kind, caring, and full of empathy – but also because you continue to challenge yourself and grow intellectually and creatively. Watching your journey fills us with indescribable joy, admiration, and, of course, love.

We know you’ll celebrate – and be celebrated – with lots of laughter, love, surrounded by your dearest friends, the ones who make you feel truly good on this very special day.

So Elle, Hip, Hip – hooray!
Congratulations! ☀️

Figures of Jizo or Ojizo-san near the river in Kanazawa, Japan.

Ojizo-san figures in Kanazawa

On the far side of the bridge by our hotel here in Kanazawa, there’s a narrow side street with a beautiful wooden shrine just off the riverbank. It’s easy to miss. Fortunately, I didn’t.

Under a shallow roof closest to the street, lined up shoulder to shoulder, stand a handful of stone figures. Round faces, closed eyes, soft mouths caught somewhere between a gentle smile and a sigh.

At first glance I thought, ah, monks. The shaved heads, the robes, the calm expressions, the likeness of Buddha – it all pointed in that direction.

A bit of digging later and I learned that these figures are actually Jizō – or Ojizō-san – a bodhisattva, a kind of enlightened being.

In Japan, Jizō is the protector of children, travelers and people who’ve died far from home. Their presence by a bridge and a river makes perfect sense. When most of us think of Buddhism, we picture something more “official.” That world exists here too, of course – the Buddhism you study in books: karma, rebirth, the Four Noble Truths, all of that. But these Jizō statues live in a different, more practical layer of the same belief system.

This is everyday Buddhism – closer to folk religion than formal theology. They don’t need you to understand emptiness or quote a sutra. These figures are more like guardians, protectors or sentinels, patrons of the vulnerable. Atheism aside, I still find this stuff intriguing.

Japanese cuisine

Japanese Cuisine

From Mikado to Yamato: A 25-Year Arc of Japanese Food

My love for Japanese food didn’t start in Tokyo or Osaka – it began in Gothenburg, Sweden, some forty years ago at a small restaurant called Mikado.

I ate there so often the staff started recognizing me. I even celebrated my 25th birthday there with my closest friends. One of them, Magnus, gave me several odd-shaped canvases for me to paint on. Possibly one of the most thoughtful presents I’ve ever received.

Mikado did serve sushi, but if memory serves, the main event was the teppanyaki bar in the center of the room – culinary theatre long before “food experiences” became a thing.  The chef’s metal spatulas clinked against the hot plate under the sizzle of beef and vegetables. Garlic hit the steel and bloomed. Soy and butter caramelized the green onions and glazed the tender meat.

The measured simplicity hooked me.

Back then, Japanese food in Sweden was a little bit like a secret – you had to seek it out, and know it wasn’t “like Chinese.” Instead, it was beautifully presented: sliced and diced, balanced, colorful yet restrained. Always visually appealing.

Over the weekend, we visited Yamato Koji Park soy sauce factory, and it was across the alley that I shot this lunch tray: deep-fried squid, marlin, and cod. Hot from the oil, lightly salted – as delicious as fried fish can be, more texture than flavor, but still tasty. The crunch gave way to bounce and flake, and the soy we’d just learned about tied everything together.

Forty years later, Japanese food remains my favorite. Mikado planted the seed; alleyway lunches in Tokyo, Osaka, Hiroshima, and now Kanazawa, as well as countless bowls and plates elsewhere, kept it growing. If pressed, I’d still call Japanese food the tastiest cuisine in the world – followed closely by the Greek kitchen.


Eating Ramen Noodles in Kanazawa

Food coma. That’s what Charlotte calls it, I often seem to suffer from it here. I simply can’t resist eating more with my eyes than my stomach can handle. Everything tastes ridiculously delicious in Japan – and since most restaurants take orders via a tablet, I somehow tend to order a few extra dishes.

The highlight of our visit to the soy sauce factory the other day was, well… so-so. But lunch made up for it – squid, cod, and swordfish – followed by a surprisingly tasty dessert: soft serve with soy sauce flavor. Yeah, I agree, it certainly sounds questionable. But it was actually delicious in that odd, umami-meets-ice-cream kind of way.

Yesterday afternoon, we took a long walk along the Saigawa River (犀川), which winds through the city, from the mountains down to the Sea of Japan. We ended our Saturday evening with dinner once again at “8” – the ramen joint next to our hotel, where Japanese salarymen slurp noodles loudly and hungry tourists apparently and inevitably drift into food comas…

KANAZAWA

Kanazawa

Thursday Thoughts in Kanazawa

When the hotel toilet senses that I’m approaching, a soft blue light glows from the bowl, followed by a gentle pre-rinse. Like a prelude – or foreplay. When I’m done, it flushes automatically.

The other day, while sitting on the heated toilet seat made by the Japanese brand Toto, the song “You Are the Flower” started playing on my phone. Coincidence or cosmic comedy?

There’s a calm in Kanazawa – a port city about the size of Gothenburg – unlike anything I’ve experienced elsewhere in Japan. Except perhaps in Hiroshima, where the stillness weighed a bit too heavily, especially around the ruin that remains after Enola Gay dropped Little Boy over the city.

Can’t help but think of Gojira movies every time I hear fire trucks or ambulances here.

Sometimes we just don’t have the energy to eat out, especially after a long day when the step counter shows we’ve walked 25,000 steps. Then we opt for a hotel room picnic.

I calculated that Charlotte and I have eaten at least 9,000 meals together since we met in 1996.

With a bag full of sushi trays, containers with veggie sticks, and a couple of Asahis we’ve picked up from Family Mart, 7-Eleven, or Lawson, we’re set for dinner on one of the room’s little bedside tables. It works – and it’s actually quite cozy.

Dining at a simple izakaya along our street usually runs just over 10 USD per person. Our picnics cost about half that.

Yesterday before dinner, I filled the small bathtub and fell asleep to a gloomy prophecy about the AI bubble soon bursting – and the looming risk that the world will then plunge into a bottomless economic crisis. Oh well.

I think the 21st Century Museum of Contemporary Art in Kanazawa is world-class. There was breadth, depth, and height in every exhibition I saw yesterday.

I had a hot dog for lunch yesterday at an obscure sausage stand tucked inside a little red wooden house in the samurai district. Perhaps a blasphemous act of unforgivable proportions – but I couldn’t resist. It is your destiny, Luke.

There’s a distinction between being liked and being tolerated. But even at sixty-two, I sometimes struggle to tell the difference.

Some Japanese people I meet can barely contain their enthusiasm when interacting with me. Others don’t see me at all. To them, I feel kind of invisible.

A truly fascinating social aspect of traveling in Japan is how you make an extra effort to match the level of politeness and respect that Japanese people display – regardless of what they might actually think or feel about us gaijin (外国人). It sort of brings out my best game. I like that.

I’ve said it before, but it bears repeating: the social climate in Japan reminds me of how it was in the US as a kid and how it used to be in Sweden when I moved there in the 1970s.

At the large tourist information office in the Katamachi area, along Chome Street, the staff are incredibly friendly. Those I’ve spoken with speak almost fluent English.

I can’t fathom how the politicians in Malmö can be so clueless that they fail to see the value of having a proper tourist office in Sweden’s third-largest city. Embarrassing.

I love how almost nothing is left to chance here. Everything has its place – has been designed or crafted to clarify or at least make things less ugly.

We’re staying a few doors down from St. Louise Jigger’s Bar, where time stands still. The place would have been a bit too stiff for Bukowski, but Hitchens would probably have had a hard time tearing himself away from one of the creaky barstools.

Next to St. Louise Jigger’s Bar is a gentlemen’s club with an entrance one floor down, where the doorman standing on the street looks like a character from Tony Scott’s excellent film noir Black Rain with Michael Douglas and Andy Garcia.

We have a few days left in Kanazawa before the autumn tour through the Land of the Rising Sun heads south.

If you’ve read this far, I want to thank you for trudging through my scattered thoughts and more or less interesting observations.

I’m emptying myself of impressions – to make room for new ones. Tomorrow we’re visiting a soy sauce factory.

St-Louis Jigger Bar Kanazwa

St Louis Jigger Bar Kanazawa

There’s a rhythm to Kanazawa that I could get used to.

Yesterday started with a 5K run along the Sai River in cool autumn air and a little rain. I passed a few fellow runners, a couple of cyclists, and two or three elderly people walking their dogs. Most smiled. Some waved.

Then we basically spent the whole day on foot. We walked across town to the geisha districts and drifted through two of the three historical teahouse neighborhoods. Narrow lanes, old wooden facades, little shops selling gold leaf sweets and matcha in various forms. I went for a coffee-flavored soft serve in a charcoal-black cone.

By late afternoon we’d looped all the way back on foot, legs a bit wrecked, and ended up near our hotel on the edge of the Katamachi entertainment district at Saint Louis / Jigger Bar. It’s one of those classic Japanese cocktail bars where the lighting is low, bottles are displayed like sculpture, and the bartenders are dressed in crisp black-and-white.

After a cold Suntory Premium draft beer each, we stepped back out into the street and into a steamy little ramen shop — the kind with fogged-up windows, a few booths, and counter seats that turn over fast.

Huge bowl, deep broth, noodles with that perfect chew, toppings piled so high you almost have to earn your way down to the soup. No polish, no posing. Just happiness you eat with a spoon and loud chopsticks.

Photo of me: Charlotte Raboff

Sunday in Kanazawa

Without Bourdain in Kanazawa

It’s Sunday in Kanazawa.

Dipping those green, crispy squid pieces into the bowl of creamy wasabi mayo during last night’s dinner felt almost sinful. It was as if the Shinto gods Izanagi and Izanami had conspired to create this irresistible recipe, best washed down with a pint of cold Asahi. Okay, two pints.

I love food, and I’ll clearly travel as far as it takes just to relive wonderful culinary memories. At the same time, I also want to challenge myself and add a few new experiences along the way.

At this age, meals aren’t just one of the highlights of the day – they’re also what make the increasingly taxing long-haul trips worth the pain. “If you want the good things in life, you have to put up with a little hardship,” I can hear my grandmother Agnes saying.

All the food here in Japan is genuinely delicious. Even the sushi in the convenience stores like Lawson, Family Mart, and 7-Eleven tastes surprisingly good.

Sure, fast food culture exists in Japan. The difference is that what’s offered here – at least in local places as opposed to the big American fast-food chains – is mostly reasonably healthy food where portions match the calorie needs of what a normal human being realistically requires for nourishment and sustenance.

No, I don’t think Ozempic is going to be a hit in Japan.

Yesterday morning, before we got on the Shinkansen from Osaka, I bought a beautiful little bento box at the station. It was filled with raw fish, smoked eel, warm rice, and pickled vegetables, and cost about $3 / SEK 30 (500 yen).

Eating that tangy, crunchy lunch while the Japanese countryside flickered past at a little over 300 km/h (around 185 mph) was both a visual and culinary reminder of how incredibly lucky we are – not just to experience so many interesting things, but also to get so many opportunities to enjoy such scrumptious meals.

Yes, we’ve very deliberately steered our lives and our small company so we can work creatively with the things we love: traveling, experiencing other cultures, and – hopefully – inspiring the people who take part in what we share through our websites and social media channels.

It has never been cheaper to experience Japan than it is right now. The difference from my first visit in 2005 is enormous. And while I feel for the Japanese economy, as a tourist it’s nothing short of a godsend to enjoy this awe-inspiring culture without breaking the bank.

We literally pinch ourselves every time the bill arrives from the always polite restaurant staff.

And tipping isn’t accepted here. Why? Because restaurant owners actually pay their employees a wage they can live on. What a concept.

Last night we spoke with a young German couple, and I told them that it costs less to eat a great meal at a restaurant here in Japan than it does to buy food at the low-cost German supermarket chain Lidl in Malmö.

They laughed in recognition, and we all just shook our heads at the contrast in our upside-down world.

But why are we in Kanazawa?

Because when the tireless wanderer Anthony Bourdain came here with his friend, the Japanese master sushi chef Masayoshi “Masa” Takayama, he loved the low-key atmosphere – not to mention the almost unbelievable density of fish and seafood restaurants.

When I saw that episode, I knew I had to come here – to eat, to photograph, and eventually to write about my experiences.

Bourdain’s footsteps are, of course, way too big for me to step into. But I still like to think that if we had, by chance, run into each other in some grimy little bar down a dimly lit alley here in Kanazawa, we could’ve slipped into a “Suntory time” moment.

We would’ve had a few glasses of Japanese whisky (or bourbon – the same Japanese company also owns both Maker’s Mark and Jim Beam) and talked about travel, about how hard it is to actually live in the moment, about the bottomless love we have for our daughters, about the aches that come with getting older, and about the endless search for something that feels like lasting happiness.

We might have swapped Instagram handles, probably never seen each other again – but neither of us would have forgotten the moment two restless souls met in a dive bar in Kanazawa.

Japanese Breakfast

Breakfast Art in Japan

This is my everyday breakfast at the Umedaholic Hotel here in Osaka. Like so much else in Japan, there’s an almost meditative thoughtfulness in how everything is put together: the colors are in balance, the portions are generous but never heavy, and the details make the whole tray feel right even before I’ve taken the first bite.

I’ve been drawn to Japanese aesthetics since my very first visit in 2005, and I love how little is left to chance. Even a simple hotel breakfast reflects a philosophy I see in almost all Japanese food: an aspiration for some form of culinary – yes, almost spiritual – equilibrium.

Food is perhaps the clearest “bridge.” Yōshoku – Western dishes adapted for Japanese tastes – transformed from the American vulgarly oversized into visually balanced, finely tuned portions. The reference is Western; the calibration is Japanese.

Another clear example is graphic design you see in the public space. where Helvetica lives comfortably alongside hiragana and katakana, icons you can read in a snap, and color used to reinforce clarity.

Western efficiency and Japanese empathy with a common goal: to make things work, and a firm conviction that they should both look beautiful and feel/taste exactly right.