Saw this small phone booth during a visit to a derelict factory in Malmö called Kockums Industries. They made everything from cast iron stoves to submarines and gigantic cargo ships there. The phone is yet another one of my homages to Duchamp’s still wonderfully provocative “readymade” approach to everyday objects as (meta) art.
Who was the last person to use the phone before it was pulled from the network? What was the final word spoken through it? Who designed it and what was the process like? How long did the cord need to be?
I chose this image as a symbol of connectivity. See, I’ve recently linked with a few choice relatives on my father’s side of the family. Though I’ve heard their names mentioned from time to time, most are entirely new acquaintances. Very exciting to learn more about a part of my family that I’ve ignored/neglected/distanced myself from. Why? Probably to avoid what I assumed would be a lot of emotional wear and tear. But I don’t feel nearly as fraught with gloom or filled with wrath as I had foreseen. Instead, I’ve tried to take a neutral approach.
I’m more of an amateur social anthropologist, piecing together characters, anecdotes, timelines, and plot twists and by doing so, hopefully creating a less fragmented, distorted image of my father; who he was as an individual and why he did so much weird shit.
Ultimately, as usual in my life, I want to see if I can find the silver lining and once and for all shake off the shadow of a man I never knew. This in order to get to know myself better, to learn to accept myself better. To feel better.