Started a new, three month assignment for a client Friday. I’ll be shooting multiple sports activities with several models of various ages and shapes – one of which was a former competitive swimmer (seen above). I shot with a few different lenses and for a few of the trickier takes, I used some lighting support. Most of my favorites were captured with a 400 mm lens from across the pool where the model was standing or swimming.
I was way too young or ignorant to appreciate Elvis Presley while he lived. But I distinctly remember one of his devotees – a classmate (from Tennessee or Alabama) at Bancroft Junior High that had long, black sideburns, wore gem studded shirts with giant lapels and spoke with quite the twangy tongue.
When Elvis passed, I had already moved to Sweden and the distance likely made for a less dramatic impact than if I had still been living in L.A.
Aside from a few visits to Vegas, the closest I’ve ever been to “The King” was as recent as yesterday while filming two commercials for a client, the electric scooter company, Eloped. For one of the shoots, we hired an extraordinary fellow that brings Elvis back to life.
Swedish artist Kenneth “Ken Wegas” Wahlberg has nailed the mature and robust version of Elvis perfectly. He’s taller, fitter and fortunately, nowhere near as bloated as Elvis was during his final years.
Now, I won’t go as far as to say the resemblance between the two was eerily striking. But the similarities in charisma, coupled with the jet-black hair, thick sideburns, ever-so glittering jump suit (tailor-made according to Elvis’ own design) compensated far and beyond for all physical differences.
Before filming, Ken and I hit the studio for a superfast session – as seen above. He’ll also be showing up in at least two commercials that I’m producing within the next two weeks and come December, Mr Wahlberg is staring in a Christmas Show at Clarion Malmö Live here in Malmö. Info about Ken Wegas can be enjoyed here.
Basically, there are three main genres of photography: EDITORIAL (telling a story as objectively as possible = minimum of post production/enhancements), COMMERCIAL (suggesting a mood, selling a product or a service = lots of post production/alterations and enhancements) and FINE ART PHOTOGRAPHY (more or less anything goes).
My work takes me – not entirely unlike a creative nomad – between all of the above. My FINE ART work is becoming increasingly important to me. But measured in time, I often have to sacrifice my personal projects for the commercial (bread winning) work. Which is okay. For now.
However, I am aiming to spend more time with projects that offer more creative longevity and longer-lasting fulfilment. And I’m pretty sure this is a natural progression for most creative folk.
First off, you’re just so friggin’ excited and curious – almost childishly enthused about all the genres, sub-genres and any creative challenge that gets thrown your way. Obviously, this provides a ton of experience, but can also wear you down – both physically and creatively.
I’ll likely never be a war photographer, work in pornography or venture into the depths of oceanic photography. But I do hope to eventually find time to focus more on less. To spend weeks or maybe even months on a single project – or, why not a single image!
As part of a creative exercise, I had the opportunity to photograph one of Sweden’s best Triathlon athletes, Anna Eriksmo a few weeks ago. We really took our time during the shoot, finding the right light, the right angle and the best lens and so forth. I’ve since then gone slow whilst testing different approaches how to visualize the results of the project. The above image, ANNA E TAPESTRY, is just one of several that will eventually find its way into the gallery.
No summer is complete without a few visits to our favorite countryside café, Lillaro. The place is such a charm and decorated with just about anything imaginable. The food? Always great. Coffee? Freshly brewed, old school java – served in grandma’s porcelain cups and saucers. The smoked salmon open sandwich – seen in my film above – was amazing. Did I mention how friendly the couple that own Lillaro are? Well, they are. This place is the benchmark for all of our café visits. Lillaro Café & Musik are open on weekends throughout August.
I’m not much impressed by ponies. Sure, they’re cute. But the full grown Nordic beauties grazing on the meadow in front of us during the summer, get me to pull out my camera and take a few shots.
And with the help of a few organic carrots, this evening I managed to persuade both horses up from munching on the grass below into several interesting upright poses. This particular shot is titled, “The Skeptic”.
My buddy Samer and I spent an hour or so in the kitchen at Green the other day. While he cooked up his juicy sliders, I grabbed some footage with my iPhone. This could be the first of a series of food and music videos.
It’s been said about me that I’m extremely competitive. I can see how friends would think that. However, I think they’re confusing my competitive nature with my obsession to achieve my goals – regardless of who’s on the playing field.
Fact is, I don’t really like to compete with others. Partly because I really, really hate losing. And partly because I have a hard time focusing on my objectives if I also have to consider that other folks are simultaneously trying to reach those very same goals. Truth be told, I’m way too busy competing with myself to have to play the psych-war that inevitably takes place during almost every kind of contest.
Having said that, I still signed up for the annual Malmö Midnight Run on August 15th. For no other reason (consciously, anyway) than to compete with myself – and keep Charlotte company during the 10k jog around Malmö.
Finally summer. Two months late. Nevertheless welcome. Dinner by the sea last night. Then down by the bridge. Swedes are incredibly adaptable. As soon as the heat gets turned up, off with the clothes and on with the smiles – as if all is forgiven and forgotten. Most people go back to work this week. I haven’t had a traditional vacation in…actually, ever. Once in a while, I’ll ponder what it would be like to spend two or three weeks without a camera, a computer and the Internet. That hasn’t happened in probably 15 years. Interesting to see how long time it would take me to adjust.
About 85% of the footage from this video was shot on iPhone 6 using a handheld gyroscope stabilized steadycam. I’m still amazed at how creatively versatile and commercially usable mobile phones (at least higher end models) have become.