Nominated: Publishing Prize 2017

My opera book, “We are Malmö Opera”, has been nominated for the 2017 Publishing Prize. On Monday, October 23, the esteemed jury will divulge the winner in the Coffee Table Book category in which the book is competing.

I sincerely think the book deserves to win because it focuses on hard-working, talented and passionate folks that don’t get nearly as much recognition as they ought to. In a perfect world, each curtain call would see the full production crew taking a bow or two.

If nothing else, I hope the book wins the hearts and minds of other photographers, journalists and publishers and inspires them to shed some light on other workplaces filled with unsung heroes.


Thanks to my buddy and code warrior Yigit Telyakar, I’ve now got a much more mobile and tablet friendly way to showcase my photographic efforts. Check out the new “Eyeconic” category in the menu up top. The Jumbo Jet? Shot last year in an abandoned yard on the outskirts of the sprawling Asian city of angels, Bnngkok.

macro of rose on leica q

The Rose according to Q

Shot with the Leica Q’s macro mode which is easy to switch to via a short twist on the lens barrel. The ease of use makes the Q such a great go-to camera for those spur-of-the-moment shots. Whereas the iPhone would suffice, the Leica frame’s dynamic range and file size offer much more versaitility – should I eventually decide to incorporate a photo in a future montage.


Blade Runner Ran Amok

Last night, I saw the new Blade Runner 2049 – a  sequel to director Ridley Scott’s dystopian sci-fi classic from 1982. Both the original and sequel have characters based on a story by Philip K. Dick titled, “Do Androids Dream of Electric Sheep”.

Visually, I think director Denis Villeneuveis and his cinematographer Roger Deakins have done a fine job. You could literally print each individual frame and hang it on a wall as a piece of art. From that perspective, I was defiinetly impressed.

At 75, Harrison Ford is quite fit and his usual grumpy, sarcastic self. And though Ryan Gosling seems to have been cast for his ornamental value rather than an ability to add anything memorable or dazzling to the part (I know, I know, he’s playing a Replicant/Android), he at least doesn’t distract.

What does distract, however, is the new film’s convoluted storyline and a dozen or so loosely connected subplots. While the first film was set in a futuristic Los Angeles where a bounty hunter chases down rogue humanoids and ends up falling in love with one, the new tale is a mash-up of the Matrix, the Fifth Element, The Force Awakens and likely several other genre films director Denis Villeneuveis’ has on his personal top 10 favorite list.

Like the first film, Blade Runner 2049 will need to be re-seen – at least a couple of times. As it’s a major studio produced project, it will certainly have gone through a painful approval process – which inevitably contributed to the story being so unnecessarily perplexing. I’m guessing there’s a few petabytes of unseen footage from the film being stored on a hard drive somewhere. And though Mr Villeneuveis has already stated there will not be a “Director’s Cut”, you never know. Ten years ago, Ridley Scott’s edit of the original Blade Runner was released as what I and many other fans consider to be the best of several previous iterations.

My image above, shot from a helicopter on my way back from the Grand Canyon a few years ago, is only relevant in this context because it’s from Las Vegas which in addition to an apocalyptic L.A., is portrayed in an extremely dismal guise in Blade Runner 2049.

Turning Torso Timelapse

A timelapse video I shot the other day from Sky High Meetings on the 53rd floor of the skyscraper Turning Torso in Malmö Sweden. The Turning Torso was designed by Spanish architect, Santiago Calatrava and is owned and operated by HSB Malmö.


Leica Q at La Boqueria

Not much of a candy eater these days, but the artificial coloring of this chewy confectionary at Mercat de Sant Josep de la Boqueriain market in the El Raval district of Barcelona was just too tempting not to get a shot of. Yes, I’m impressed with how versatile the Leica Q is. The sensor is super sensitive in lowlight conditions – which is great when you like me hesitate to push ISO beyond 100-200. I’ve shot a few times at ISO 3200 and if I didn’t have any alternative, I think I could make use of that setting too. Even more striking and noteworthy is how well the optical stabilization system performs at speeds that I’d previously never even consider working with.

Over the weekend in Spain, I shot quite a few frames of static objects at 1/30th of a second with perfect focus. There’s obviously some battery drain when using OIS, but I always carry plenty of extra batteries with me, so that’s not an issue. Focusing is fast too. Not as fast as my Canon 5Ds, but not that much slower. And at 10 frames per second, the Leica Q is actually twice as fast when shooting moving subjects.

I’m adjusting nicely to the 28 mm field of view. It’s an allround size that’s been great in Barcelona’s El Born neighborhood where there are mostly narrow alleys. As a first time Leica owner, I’m starting to understand some of the hype surrounding the brand. And I can definitely see how I could use the Q in professional circumstances.
El Cocinero

El Cocinero in Barcelona

Pissorama in Barcelona

Shot this earlier today. I thoroughly enjoy visiting Barcelona. It’s a city we even would consider living in someday. Still, I’m unfortunately often reminded of a less positive reality here; the thick, pungent stench of both fresh and vintage urine that permeates Barcelona’s streets, alleys and boulevards. Sure, you get used to it after a while. But it’s nonetheless a really bad habit males have here – locals and visitors alike. And surely a few dogs.

Return to Catalonia

Back in Barcelona for yet another project (and a celebration). It’s actually the second visit to the capital of Catalonia this year and boy, is the difference in police presence huge. It’s both comforting and alarming simultaneously.

While most casual visitors share their sight-seeing experiences in large schweaty crowds, I’m letting myself get lost in the mostly authentic El Born (La Ribera) district. Purposely avoiding all the main drags and promenades and focusing on documenting street art.

The abundant graffiti scene is dumbfounding. So many street artists with so much to say and convey. Amazingly, most tags and imagery is applied to corrugated metal garage doors and shop window covers – leaving the city’s often beautifully designed and crafted doors, ports and gates alone.

While Sweden has already transitioned to mid autumn weather, it’s still summer here.

The Q? It’s performing excellently.

The Q Arrives

I’ve had my eye on the Leica Q ever since it was released in 2015. Just couldn’t discern if it would meet my needs for capable and reliable compact camera.

About a month ago, I saw the gray version that Leica released earlier this year somewhere online and fell in immeddiately in love with how it looked. I was initially a bit concerned about the relatively wide field of view. I’ve not used a camera with a 28mm fixed lens for a long time. I’ve been choosing my 35 mm f/1,4 for most work related shoots this past year – including for the vast majority of all portraits in my most recent book, We are Malmö Opera.

When the Leica Q arrived a couple of weeks ago, I decided to produce my very first unboxing video. I’ve never made one before, always considered them a little nerdy – ritualistically perverse, even. But the temptation was just too hard to ignore.  I wanted to share the experience of how meticulous thought-through and beautifully packaged the camera was when it arrived. Turned out that it was not very dissimilar from the way Apple presents its products. Question is, who’s been taking cues (pun intended) from who?

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